"The HEAD, by way of the EAR, to the SYLLABLE
The HEART, by way of the BREATH, to the LINE”
- Charles Olson


Welcome to my poetry research blog! Here's a little background...

Poetry is, at its heart, a very acoustic phenomenon. Distinguished from prose through its emphasis on the use of sound, namely its distinctive rhythms, meters, and rhyme scheme, the earliest known poetry followed the oral tradition. Among the most famous examples of early poetry are Homer’s “Iliad” and “Odyssey,” which were transmitted by word of mouth for centuries.

Following the spread of literacy, poetry increasingly became a written form. Though the play of sounds and rhythms were still very important, and though poets gained the ability to use the visual presentation of their poems to shape the meaning of their work, poetry lost much of its performance aspect. However, during the twentieth century, there was a poetic movement that began re-emphasizing the importance of sound and performance in poetry.

This blog will track my research into the developments in performance poetry in the modern United States. My principal focus will be on poetry slams, but I will be investigating all forms of performance poetry. I’m taking a multi-media approach to this research: not only will I be using articles and books, I will also be watching videos, youtube clips, and, most importantly, attending actual Slams. I’m especially excited for the National Poetry Slam in August.

Specifically, here you will find a record of the performance events that I have and intend to attend.

“Sometimes a good slam strategy is to give the audience something they didn’t know they needed until they’ve heard it. Sometimes it’s aesthetic deduction, sometimes it’s angelic inspiration, but it’s always being true to yourself, your teammates, your muse, and your art."
-- Daniel S. Solis

Sunday, June 22, 2008

June 21, 2008: Slam Movie Night

As part of the multimedia approach that I'm taking to my research, I watched the movie Slam last night. It was interesting, and especially enjoyable to see Saul Williams in action since he's been referenced in one of the research articles that I've read. Below, I've copied the description as is presented on the case. The title of this post also links to a trailer. For some reason, the sound isn't working on my comp, but hopefully it'll work for you.


Slam: Special Edition

Ray Joshua (played by real –life poet Saul Williams) finds solace from prison and the violence of his inner-city neighborhood through poetry. A writing teacher (Sonja Sohn) he meets in jail convinces him to take his private art to a public forum – a poetry slam competition – and their relationship progresses. The film earned a Goldman Camera Award at the Cannes Film Festival and the Grand Jury Prize and the Sundance Film Festival.

Rated R 103 Minutes 1998

4 comments:

Unknown said...

sound works!

Poetry Slam... sounds like freestyle rapping competitions, a la 8mile or something, for white people! bringing previously written material sounds interesting though... the messages could be much better expressed that way...

Briana said...

Hey Kev! (I feel oddly like Dear Abby right now). There's actually a large link between hip-hop culture and slam. One of the articles I was reading actually detailed hip-hop poetry, emphasizing that the artist needs to be proficient at both hip-hop and poetry independently in order to master a form that uses features of both.

Have you watched any of the clips? I'd really recommend that! The life slam was AMAZING! Some of the poems had very powerful and/or poignant messages. It was incredible!

Unknown said...

I'll check out some of those clips now.

Sincerely,
Deprived of Poetry.

Unknown said...

You belong at UCSF. You applied there, right?

Watching these vids reminds me of some very similar performances I saw in the Berekely/Oakland/SF area. I think you'd enjoy it very much there.